
Back then, he brought in the City of Prague Philharmonic Orchestra, and now, six years later he does the same again. But times must be tighter: this time he’s playing the piano, too, and this almost hour long, five-movement symphonic collection suggests his ambitions these days aspire to the great Romantic composers.
Certainly the opening Prelude To A Million Years offers sweeping, romantic gestures that point to Rachmaninov and Berlioz, but elsewhere this sounds like a forgotten John Williams soundtrack, not least Ebb & Flow, whose climax loudly echoes E.T.
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