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Classic Pop
Classic Pop magazine is the ultimate celebration of great pop and chart music across the decades with in-depth interviews with top artists, features, news and reviews. From pop to indie and new wave to electronic music – it's all here...
If Steve Martin can make banjo albums, and Hugh Laurie can play the blues, there’s no reason John Oates – of blue-eyed soul duo Hall & Oates – can’t make…
Tom Hingley and the Kar-Pets – May Contain Nuts review
How different the world might be if, when original singer Stephen Holt left to form The Rainkings in 1989, roadie Noel Gallagher had landed the job of Inspiral Carpets’ frontman.…
Geowulf – Great Big Blue review
Geowulf – yet another Australian band who’ve headed, Dick Whittington-style, to London to find fame, fortune, and pavements lined with gold and gum – are not, as their name might…
Pete Astor – One For The Ghost review
“All I’ve got is a red guitar, three chords, and the truth,” Bono announced on Rattle & Hum, borrowing a phrase from country music’s Harlan Howard. Judging from his latest…
Rupert Holmes – Songs That Sound Like Movies review
Rupert Holmes is a British- American tunesmith largely remembered – or despised – for his somewhat anomalous 1979 hit single, Escape (The Piña Colada Song), probably because listeners assumed he…
Flesh For Lulu – Flesh For Lulu review
Flesh For Lulu were a bunch of South Londoners who, in the 80s and early-90s, specialised in new wave pop-rock with a hint of glam, all dressed up in the…
Nick J.D. Hodgson – Tell Your Friends review
“I don’t care about you,” former Kaiser Chief Nick Hodgson confesses early on this solo album, “But I’m trying to get you to smile.” How noble that is, though in…
Stealers Wheel – The A&M Years review
If you ever watched that scene in Quentin Tarantino’s Reservoir Dogs – in which Michael Madsen’s Mr Blonde character tortures a cop as he makes neat terpsichorean moves to the…
Roxy Music – Roxy Music review
Along with Marc Bolan and David Bowie, Roxy Music formed part of the holy early- 70s trinity of acts in terms of impact on the musicians that appear in the…
Sweet – Sensational Sweet review
The early-70s weren’t all Bowie, Roxy and Bolan. In fact, there’s a tendency to see the aforementioned trio as “good glam” or “high glam”, while their contemporaries, such as The…