
On Arkansas, Oates explores dusty acoustic songs from Americana’s past, not least Emmett Miller’s Anytime, its nimble finger-picking draped in pedal steel instead of Dixieland brass. Conveniently, his croaky voice also sounds a little like Springsteen’s, whether on the bluesy Pallet Soft And Low, where he’s joined by tasteful gospel-tinged backing vocalists, or the title track, which overflows with the distant winds and train tracks of America’s prairie mythology.
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