
Consequently, like 2016’s Spilt Milk, One For The Ghost remains an inventive but no-frills affair: the driving Golden Boy, with its rolling bassline, recalls The Woodentops, and Water Tower wafts the scent of country over its Velvet Underground vibe. In fact, with Only Child hinting at Marc Bolan had he grown up with C86 on his Walkman, One For The Ghost is a rare advertisement for austerity.
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