The stadium mainstays return with a solemn, understated cry for tolerance and unity that might very well be their best work to date… Though they remain one of the world’s…
Review: Alexandra Savior – The Archer
“Seven years,” sings Alexandra Savior as her second album gets underway, “I’ve had seven years of bad luck and I’m just fine…” It’s a brave statement, but any self-deception is…
Review: Courteeners – More. Again. Forever.
The last stadium indie band left standing, there’s always been more going on with these Mancs than the laddish clichés unfairly attached to them imply… Having scrapped an album along…
Review: Georgia – Seeking Thrills
If a simple hook or singular sound are enough for you, you’ll get on well with Georgia Barnes, especially if you like a gimmick… As this year’s viral clip of…
New Releases and Reissues: 6 March
With International Women’s Day coming up this Sunday, this week’s Classic Pop release round-up is focused on some of the leading ladies in pop… Alice Boman – Dream On 8/10 Almost seven…
Review: The Durutti Column – Fidelity
Having dived into more familiar analogue territory for 1994’s Sex And Death, Factory Records guitar virtuoso Vini Reilly transferred to the label’s Belgian offshoot in 1996 for a slight return…
Review: Elton John With Ray Cooper – Live From Moscow 1979
For his 12th studio album, 1978’s A Single Man (his first with Gary Osborne as lyricist rather than Bernie Taupin), Elton John stripped his tour back to just him and…
Review: Josef K – The Scottish Affair (Part Two)
Best known as Postcard Records’ nearly-men, Josef K also released two singles on Belgian label Les Disques Du Crépuscule and recorded their sole album The Only Fun In Town at…
Review: Cat Stevens – Back To Earth
By the time Back To Earth was released in December 1978, Cat Stevens knew he was no longer Cat Stevens… Having converted to Islam the year before, Yusuf Islam owed…
Review: The Go-Betweens – G Stands For Go-Betweens: Volume 2 – 1985-1989
Formed by Robert Forster and Grant McLennan in 1977, the Go-Betweens were one of Australia’s most electrifying musical exports, as this 129-track boxset proves… “Don’t the sun look good…